September 08 2010 04:46:22
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08/09/2010 02:46
Whats going on people. Its been a while since I have been on.some nice changes.

08/09/2010 02:35
welcome aboard dj twigy

06/09/2010 09:18
Whats up man! Good to see around here. Let me know if you need help with the video feed?

06/09/2010 09:03
hey there. you don't know me , but i used to run Digital House Radio , via pirate radio broadcaster. I started my station not long b4 you started this. Kepp up the good work , and just wanted to l

02/09/2010 05:20
Hey whats going on sparky,quick-e, tommy, looks like some new members here!

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Some history of electronic dance music part II
PART TWO

Trance usually is a 4/4 time signature, a tempo of 130 to 160BPM, and 32 beat phrases. The 32-beat phrases are composed of repeating 8-beat sections, 10-15 progressions (chord progressions and/or arpeggio layers or "loops") over 8-beat sections.

Trance is somewhat faster than house music but usually not as fast as rave music.
Psychedelic Trance is sometimes faster and earlier tracks were sometimes slower.
A kick drum is placed on every downbeat and a regular open hi-hat is often placed on the upbeat; a type of beat also colloquially known as "four-to-the-floor". Some simple extra percussive elements are usually added, and major transitions, builds or climaxes are often foreshowed by lengthly "sanre rolls"(a quick succession of equally spaced snare drum hits that builds in volume towards the end of a measure or phrase).

Each phrase typically"adds interest" in the form a new layer. Typically 4 to 8 phrases will repeat before the song is broken by an interlude. During the interlude the drum beat and most of the complex layers drop out of the mix and a medlodic, dreamy phrase breaks the hypnotic succession. The orginal drum-beat phrasing returns after the interlude.

Unlike House and Garage music, Trance tends to add interest to tracks not through complexty of rhythm but through complexity of melody and harmony; as a result Trance tracks tend to have a simple(non-varying)beat which acts as a foundation for complex chordal and melodic structures which are further emphasized bby the heavy use of eledctronic music production technology, such as synthesizers, samplers and effects units(most notalby for Trance, Reverb and Delay effects). Flangers, phasers and other effects are alos commonly used at extreme settings but these settings can be(and often are)'tweaked' over time, creating further interest by adding cycles or emotional tension and release. As an example of this volume, cutoff and / or resonance parameters of a synthesized arpeggio can be slowly increased over a period of time, resulting in a variation which is calculated to form a particular emotional response in the listener. As in most electronic music, there is no need or demand for resulting sounds to resemble any real-world instrument, so producers have free creative rein. However, modern Progressive and Uplifting Trance tracks do make use of pianos and other j"orchestal" or conventional and non-electronic instruments.

Traditionally, trance  uses classical music as its base. Many "classical"  songs have been "remixed"  in modern trance style. Many trance songs use jazz as their base.

While many trance tracks contain no vocals at all, other tracks rely heavly on vocals, and thus a subgenre known as Vocal Trnace has developed. The sound and quality of the production relies to a large degree upon the techonlogy available. Vintage analog equipment is popular with many producers,with names such as Moog,Roland,and Oberheim being staples in the trance sound palette. Modern music creation software can emulate the sound of classic "syths"


Trance tracks are usaully built with sparser intro and outros in order to enable DJs' to Blend  them together more readly. This  is known as "Mixing" or "Beat Matching". This also works as a build up and wind down and in modern trance the intros and outros do not resemble the main part of the song very closely. Records that adhere to the "build-up, strip downl" arrangement during intros and outros are referred as being "DJ friendly". As trance is more melodic and harmonic than most dance music, the construction of trance tracks in such a way is particularly important in order to avoid dissonant( or "key clashing,"ie out of tune with one another)mixes by DJ's who do not mix harmonically. DJ's who can successfully 'key mix" will find more popularity with listeners as there is no obvious breaks in the music, assisting with a joruney that is not interrupe(ME!)


Trance music is broken into a large number of subgenres. Chronologically, the major genres are classic trance, acid trance,progressive trance,and uplifting  trance. The latteris also known as "Anthem trance", "Epic trance,"Stadium trance",  or Euphoric trance." Closely related to Uplifting Trance is Euro-trance, which has become a general term for wide vairety of European dance music. Several subgenres are crossovers with other major genres of electronic music. For example, tech trance is a mixture of trane and techno.Vocal Trance adds vocals and a pop-like structure to the songs,and Ambient trance is a mixture ambient and trance. Balearic beat, which is associated with Ibiza, Spain, is often called "Ibiza trance".  Also, Dream trance is sometimes called "Dream House", pioneered by Robert Miles in the mid 1990's

Goa trance orginated in Goa,India around the same time trance was evolving in Europe. Goa trance was influential in the formation of Psychedelic Trance, which features freeform samples and psychedelic  elements. 

THE END!!!

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